Shyamaprasad’s Ivide (2015)

These are the days when I do not miss to watch the films of two actors, Prithviraj and Nivin Pauly. Shyamaprasad’s Ivide had both of them in leading roles so it proved to my advantage. To me, watching Ivide felt like watching an episode of say, Criminal Minds, CSI or Castle, because the attitude and tone of the film was very American. American in approach except for the fact that the main cast are three leading actors of the Malayalam film industry. Shyamaprasad has succeeded in creating that illusion of an american urban space and its ethos.

Ivide sets out to tell the story of three Malayalees settled in the city of Atlanta in the backdrop of an American IT workforce steadily losing jobs as a result of the new policies on outsourcing work to countries namely, India.

The film begins when Bhavana is recruited by the Nivin Pauly led firm as part of their project team. Bhavana is also Nivin’s classmate from school. Prithiraj plays the role of a cop in the city police force, also Bhavana’s ex husband and the father of her daughter. The plot of the film runs as a diary in his head and the film is narrated from his point of view

The plot thickens when details of their personal lives spill out. Prithviraj’s life is such and such because he is a Malayalee  adopted by American parents when he was 7 years old from an orphanage in Kerala. As a result of which, the man has internal conflicts leading towards a kind of rootlessness.. he knows no Malayalam although he was born to Malayalee parents, he is an American citizen by adoption but feels less American for many reasons. Nivin Pauly is the brain behind bringing and turning around a company which sold oil into a successful IT firm.

The plot gets a further dimension with the murder investigation assigned to  Prithviraj and his partner. The first man to be murdered is an Indian in the timeline of the film. The murder story is up to you to watch and solve. If I dwell more on the causes and reasons of the murder, I may just solve the mystery here in the blog post, so watch the film for where it takes Prithviraj and how it intermingles with the lives of the characters played by Nivin Pauly and Bhavana.

Unlike Premam, the film caters to a niche audience because of the prolific  use of the English language. It is not a Malayalm film set in the US, but seems like an American film with a few Malayalee characters.

In addition, I feel it falls more into the category of drama rather than that of a crime thriller because the crime and the investigation are not the driving forces that take the film forward. The relations between people are a key to understanding the film, between employers and employees, what the axim blood is thicker than water does when it comes to taking core decisions, the sweat and determination of people to become successful, unhappy married lives, internal traumatic personalities and finally reasons for killing another human being ..

English is the main language of the film because of the location, there is also Malayalam, and Tulu/Konkani, a little Tamil… the presence of more than one language among an umbrella group called the Malayalees presents the diversity.

The surprise package was the dubbing – Prithviraj and even Bhavana speak flawlessly in an American accent coupled with their mannerisms, from their walk and talk, they seem to be born and brought up and settled in the States for a long long time! A well made film… recommended

©pins n ashes 2016

Ayalum Njaanum Thamil

Roughly translated as Between you and I/me..

… a title that sounds evocative of very many things ;)… as a title of a film, it also acts as an invitation for us, as part of an audience, to explore
image

that relationship between you and me, its beginnings, its past, its rough edges, the patchwork.. and the seamlessness, the quarrels, the laughs, the hi5s …the many phases in very many relationships, between two people …

And almost always .. I feel “Between you and me” or the Malayalam title is followed by an ellipsis. It would then read as Between you and me … or Ayalum Njannum Thammil… the ellipsis representing the infinite possibilities :)… and the film fills the gaps 🙂

It was about the film first and then the title… then it was always the title.. I fell in love with.

Set in the theme of a hospital, the frame story is the relationship between two doctors, a senior colleague and a junior one. They meet for the first time when the junior doctor, just out of medical school is sent to work in a hospital in a remote part of the state, up in the hills, among tea estates, winding roads and hairpin curves… the younger doctor is sent there as part of a penalty. As is you can imagine, he loathes the place, the doctors, the patient, the package of penalty as a whole… before stepping into the role of a doctor in the hospital. Gradually he settles into the doctor he is trained to become…

the film is a flash back interspersed with the details in the present, in a thriller mode set into action with a death of a patient in the hospital, the ensuing mob behaviour, the police investigation, the news channel speculations and the missing surgeon…

The story of the film is narrated through different narrators, his friends, colleagues and close members of the family, their associations with him in a non linear pattern. We, as an audience are given the task to piece together the story of Dr. Ravi Tharakan and his transformation into the dedicated and selfless doctor he is today in the present time frame of the film …

Ayalum Njannum Thammil is a Malayalam film released in 2012, directed by Lal Jose starring Prathap Pothen, Prithiviraj Sukumaran in lead roles, supported by Naren, Rima Kallinglingal, Ramya Nambishan, Samratha Sunil.image

©pins n ashes 2016